Inspired by the way the human mind has the capacity to link seeming random and unrelated elements to create meaning. Making political and social commentary using imagery. Estelle's more surreal works combine images in a way that you would not normally expect, to create strange and irrational dreamscapes.
AI Matrix, Synthetic polymer and oil on canvas, 45 x 60cm.
The artificial online world leaks into the real world engulfing us in blue light.
Modern Times, Synthetic Polymer on Canvas, 60 x 45cm.
People running among blocks, buttons and wheels of flowing multicoloured light captured in blue screens trapped in a hive of information.
Modern Times - Fimiston's Pear, synthetic polymer and mixed media on stretched canvas, 60 x 45cm.
Part of the Modern Times Series.
Exhibited at Kalgoorlie-Boulder Art Prize in 2023 just as Modern Times.
The name Kalgoorlie is derived from the Wangai word Karlkurla or Kulgooluh, meaning "place of the silky pears" and is a gold mining town in Western Australia. It is the location of an open cut gold
Ystradfellte, synthetic polymer on canvas, 50 x 40cm.
Ystradfellte is a village and a community in Powys, part of Waterfall Country in South Wales. Known for its Four Waterfalls Walk, along the Afon Mellte finishing at Sgwd yr Eira on the Afon Hepste, where the footpath passes behind the waterfall. A walk I remember doing as a child.
It is where the C14 Welsh Rebel Llwellyn Bren's uprising agai
Cotton. Synthetic Polymer on canvas, 60 x 50cm.
To solve one problem we create another and advertise it, while ignoring that the central problem of exploitation never goes away.
Hephaistos, Synthetic Polymer on Canvas, 30 x 30cm.
Hephaistos is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes. All the things that shape the modern world.
Whittingtons Cat 1, synthetic polymer on paper, 16 x 12 inch mount.
17th Century English folklore describes Dick Whittingtons rise from poverty-stricken childhood with the fortune he made through the sale of his cat to a rat-infested country to be the Lord Major of London. The story surrounds the real Lord Mayor of London Richard Whittington (c. 1354–1423) who was never poor and probably never ow
Whittingtons Cat 2, synthetic polymer on paper, 16 x 12 inch mount.
17th Century English folklore describes Dick Whittingtons rise from poverty-stricken childhood with the fortune he made through the sale of his cat to a rat-infested country to be the Lord Major of London. The story surrounds the real Lord Mayor of London Richard Whittington (c. 1354–1423) who was never poor and probably never ow
Statue, synthetic polymer and ink on paper, 14 x 12 inch mount.
Statues have a complex legacy. Propaganda in the round, statues were created to venerate the most successful and powerful within any given society. Unfortunately often the people honoured in bronze and stone although powerful, committed unspeakable atrocities to become powerful enough to be a statue selling fictional histories to the
Flush, oil on canvas sheet, 8 x 10 inch mount.
While water scarcity is a problem world wide, some places are flush.
Umbrella Man 1, oil on canvas sheet, 10 x 8 inch mount.
Umbrella shades and protects from rain and storms.
Umbrella Man 2, oil on canvas sheet, 10 x 8 inch mount.
Umbrella shades and protects from the sun and heat.
Mind Blown, screen printed gallery wrapped linen monoprint, 40cm x 40cm.
Don't we all feel like this from time to time?
Utensils 1, screen printed on canvas sheet, 16 x 12 inch mount.
The word utensil comes from the Latin word meaning things for use, around the house found in kitchen drawers.
Utensils 2, screen printed on canvas sheet, 16 x 12 inch mount.
The word utensil comes from the Latin word meaning things for use, around the house found in kitchen drawers.
Restricted 1, linocut print ink on 250gsm paper, 10 x 8 inch mount.
Fences and walls keep people in as well as keeping people out.
Restricted 2, linocut print ink on paper, 10 x 8 inch mount.
Fences and walls keep people in as well as keeping people out.
Graduation, linocut monoprint ink on 250gsm paper, 16 x 12 inch mount.
These are just a few of Estelle's works and this page is being constantly updated please return soon.
If you are interested in finding out more about any of the works Estelle would be glad to hear from you.
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